|New One World Trade Center and plaza|
|Original slurry wall holding back Hudson River|
No memorial has ever tried to accommodate so many opinions and needs as the 9/11 Memorial and Museum. Its slow progress and occasional retreats were well chronicled in the news. Survivors, victims’ families, rescue workers, neighbors, local, state and federal government - all had input, many with strong opinions. Designs came and went. Size and depth were debated. Since memorials and museums have inherently different goals, the decision to separate them allows the emotional and historical objectives to be met. Planners used guidelines developed for the Oklahoma City Memorial where those lost in the 1995 bombing are remembered with empty named chairs and the adjacent museum records the events and significance in history.
Debate in New York included which victim names should be engraved – only those lost from the Twin Towers or all from 9/11 or add those who died in the 1993 World Trade Center bombing. Gratefully, all are listed and grouped with those who died together. What to display in the museum generated the strongest feelings. Many of the artifacts were too personal such as recordings of last conversations. Yet, emotional intensity was desired and even factored in. In the museum, early exit doors are available for those overcome by memories.
|Footprint Pool at 9/11 Memorial|
|Names of Victims carved on parapet surrounding pool|
Thirteen years after the event, the 9/11 Memorial and Museum finally opened on May 15, 2014. It is already the number six item of top 20 things to do in New York City on Trip Advisor. A million visitors have come to pay homage. We approached the scene by foot, passing through the white oaks and sweet gum tree filled plaza until reaching two enormous pools outlining the footprints of the lost towers. The depth of the pools gave a true sense of the size of the lost Towers. Leaning over the four foot parapet walls, I watched water fall 30 feet (three stories) into a square shaped fountain. Titled “Reflecting Absence”, the black granite walls encouraged somber thoughts for this appropriately named architectural piece. Names of all who died were carved on the parapets, some with flowers laid across or a single rose inserted. I felt sad.
|Original Steel Beams in Museum Lobby|
|Elevator Motor from Twin Tower|
|Blue Tile Wall with colors of the sky on 9/11|
Symbolism surrounds you. A blue tile wall reflects all the colors of the sky on that brilliant day. The ramp leading down 7 floors (the depth of the debris) follows that used by construction workers. A mangled TV antenna tower represents the end of communication from those at the top. The aluminum wall surrounding the underground pool symbolized the silver of the original towers. I was moved by the attention to detail.
|Fire Engine that was crushed on 9/11|
We were reminded of what went right that day. Fifteen thousand people got out of the buildings before the collapse. Injuries were minimal. I watched a map of the United States go dark as every lit location of airplanes in the air disappeared within hours of the tragedy. Firefighters worked regardless of whether it was their shift and first responders dug heroically that day and later to be sure all survivors were out. I felt pride.
In the memorial section, it got harder. Many of the mementos recovered from the scene are displayed - police helmet, Fireman memorial patch, briefcase used to protect from falling glass, passenger window from the plane, a sign in the Pentagon for Deputy Undersecretary of the Army International Affairs, children’s clothing, telephone, rolodex, clock stopped at 9:37, woman’s black stilettos, dusty tennis shoes, and bicycles. A photo of abandoned baby carriers in Battery Park captured the panic of the moment. Newscasts from around the world were available, reminding us of the 90 countries represented in the 3000 that died. I felt surrounded by sympathy.
This is truly a national memorial as most Americans vividly remember that day. Patricia Cohen in the New York Times wrote that “reconciling the clashing obligations to recount the history with pinpoint accuracy, to memorialize heroism and to promote healing inevitably required compromise.” The ability of the Memorial and Museum planners and designers to make those needed decisions really reflect what is good about America – the coming together of different backgrounds, economic levels, nationalities, and skills to create a place to remember and to learn. Our guide noted that when asked what they remembered that day, many New Yorkers mention the color of the sky, the dust and the kindness on the street. Incredibly, I was nostalgic – not for the tragedy but for the solidarity.